“There are no backwaters where things can breed—our connectivity is so high and so global that there are no more Seattles and no more Haight-Ashburys. We’ve arrived at a level of commodification that may have negated the concept of counterculture.” — William Gibson Copy Share Image
“We have no idea, now, of who or what the inhabitants of our future might be. In that sense, we have no future. Not in the sense that our grandparents had a future, or thought they did. Fully imagined cultural futures were the luxury of another day, one in which 'now' was of some greater duration. For us, of course,… — William Gibson Copy Share
For me, the melancholy of the late XXth Century is walking late at night by the Mont Blanc pen store and seeing these things… — William Gibson Copy Share Image
“No," said Blackwell, "she won't, because that would be a violation of the very personal terms I will have established in our conversation. That's the key word here, Laney, 'personal.' 'Up close, and.' We will not meet, we will not carve out this deep and meaningful and bloody unforgettable episode of mutual face-time as representatives of our respective faceless corporations.… — William Gibson Copy Share
“Music was strange that way though; there were people into any damned thing, it seemed like, and if you got enough of them together… — William Gibson Copy Share Image
When I start writing a new imaginary future, I have no idea what it is. The characters arrive first. They help me figure out where they are living and I get to fill in the gaps with that and where we are. So when I get to the end of the process of composition, if I feel that I have… — William Gibson Copy Share
Hollis thought he looked like William Burroughs, minus the bohemian substrate (or perhaps the methadone). Like someone who'd be invited quail shooting with the… — William Gibson Copy Share Image
Fiction is an illusion wrought with many small, conventionally symbolic marks, triggering visions in the minds of others — William Gibson Copy Share Image
I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the… — William Gibson Copy Share Image
“What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in… — William Gibson Copy Share Image
“In Heathrow a vast chunk of memory detached itself from a blank bowl of airport sky and fell on him. He vomited into a… — William Gibson Copy Share Image
And, for an instant, she stared directly into those soft blue eyes and knew, with an instinctive mammalian certainty, that the exceedingly rich were… — William Gibson Copy Share Image
