Give the composer time to experiment, time to try out ideas. Also, the time to fail. When the composer has very little time, the temptation is to reach for stock ideas - ideas they know will work and have worked… — Johann Johannsson Copy Share Image
I have a Yamaha YC-45D organ in my studio. It's actually Terry Riley's favorite keyboard, so if you find old clips of him on… — Johann Johannsson Copy Share Image
I try not to obfuscate or to be to obscure or to be too cerebral. I like to work on a visceral, emotional level. — Johann Johannsson Copy Share Image
I very much enjoy working with talented filmmakers who have a good sense for music, who have a strong feel for music and for… — Johann Johannsson Copy Share Image
I think my music is a way of communicating very directly with people and with people's emotions. I try to make music that doesn't… — Johann Johannsson Copy Share Image
I always do very detailed demos. I feel that it's better to show the director a demo that sounds as close to the final… — Johann Johannsson Copy Share Image
'Orphee' is, for me, about changes: about moving to a new city, leaving behind an old life in Copenhagen, and building a new one… — Johann Johannsson Copy Share Image
I am not very extreme in my life. But I'm very attracted to art that works with extremes and works with limits, that transgresses… — Johann Johannsson Copy Share Image
Even when I was studying piano, I always preferred to play around with my own improvisations rather than do my studies. So I've always… — Johann Johannsson Copy Share Image
I tend to spend quite a lot of time on the film scores that I do. — Johann Johannsson Copy Share Image
