With Hitchcock I had little relationship. I was called to replace Bernard Herrmann, his favorite composer, in Torn Curtain, after the bitter fight between them. — Maurice Jarre Copy Share Image
Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that… — Maurice Jarre Copy Share Image
When I was 15, I did not know nothing about what concerned the world of music. — Maurice Jarre Copy Share Image
Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the… — Maurice Jarre Copy Share Image
Some months ago, while I was preparing a new work, I told a young cinema executive my intention of including in a soundtrack two… — Maurice Jarre Copy Share Image
In that long sequence, when Lawrence enters in the desert to rescue a lost man, Lean listened the music I wrote and wanted to… — Maurice Jarre Copy Share Image
The idea in The Man that Would Be King was that the music should recreate all that majestic surrounding and emphasize the adventure, but… — Maurice Jarre Copy Share Image
For Ryan's Daughter I used a total of eight harps, something that was, at least, weird. — Maurice Jarre Copy Share Image
I began to write a kind of waltz and in a little more than an hour I had the theme written. — Maurice Jarre Copy Share Image
With Hitchcock I had little relationship. I was called to replace Bernard Herrmann, his favorite composer, in Torn Curtain, after the bitter fight between… — Maurice Jarre Copy Share Image
