I think when you're trying to get a film together that's had a long gustation process before I came on board and… — Todd Haynes Copy Share Image
I saw experimental film-makers teaching in college. They did what they wanted and didn't worry about the market, but the circumstances ended… — Todd Haynes Copy Share Image
I figured I would be teaching my whole life and making experimental films on the side. — Todd Haynes Copy Share Image
The film division at Amazon is made up of true cineastes who love movies and really want to try and provide opportunity… — Todd Haynes Copy Share Image
Films like 'The Godfather,' 'The Exorcist,' 'Klute,' 'Chinatown,' 'Network,' and 'The Parallax View': They were drawn from the genre tradition, but they… — Todd Haynes Copy Share Image
People define gay cinema solely by content: if there are gay characters in it, it’s a gay film... Heterosexuality to me is… — Todd Haynes Copy Share Image
Some directors do recut their films, but I don't if I disagree, and what you suffer is a less passionate marketing campaign,… — Todd Haynes Copy Share Image
Films like 'Velvet Goldmine' are an accumulation of research and references. I create an almost random resource of connections and am constantly… — Todd Haynes Copy Share Image
I don't know if I ever entertained an academic career, nor did I ever think I'd become a feature film-maker in the market. — Todd Haynes Copy Share Image
Feminist theory has left an indelible mark on my own critical—and creative—thinking . . . For me, everything I questioned about what it meant… — Todd Haynes Copy Share Image
I'm used to always having struggles getting finances together and keeping precarious budgets alive in the independent film world. — Todd Haynes Copy Share Image
It's funny: I don't feel like I have any particular privileged feeling for the Fifties. — Todd Haynes Copy Share Image
I'm drawn to female characters; not all of them are strong characters. — Todd Haynes Copy Share Image
Looking at photographs of New York in 1952, you find a powerfully pre-Eisenhower era - sagging, tired, distressed - and the palette is slightly dissonant. — Todd Haynes Copy Share Image
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were… — Todd Haynes Copy Share Image
Films like 'The Godfather,' 'Chinatown' and 'The Exorcist' brought a realism and currency and understatement to their genres that we wanted for 'Mildred Pierce.' — Todd Haynes Copy Share Image
There were interesting ways that queerness could hide out and get played out pre-Stonewall. It is part of a vast history that is getting… — Todd Haynes Copy Share Image
