All actors are protecting something, in their own way, that happens in front of a camera. — Todd Haynes Copy Share Image
I think that's what I love about glam-rock. It invited you to participate. It asked you to change yourself in all these… — Todd Haynes Copy Share Image
In my research, all roads led back to Oscar. It's definitely in a way trying to understand the truly English element to… — Todd Haynes Copy Share Image
The way I sort of approach my work is that the historical and socioeconomic and cultural worlds that the music is exploring… — Todd Haynes Copy Share Image
I'm drawn to female characters, not all of them are strong characters. I think I'm drawn to female characters partly because they… — Todd Haynes Copy Share Image
In male-driven [films], the protagonist is not the person who's necessarily in harms way. There's a sense that they're going to figure… — Todd Haynes Copy Share Image
My very first movie, 'Mary Poppins,' which I talk about, it just turned me into an obsessive, creative creature who had to… — Todd Haynes Copy Share Image
I know a bit about his [Sirk] life, but it's more about his style than biography. He was European and came out… — Todd Haynes Copy Share Image
You gain all of the rights and privileges and respects that are afforded the majority, and that's ultimately what matters for your… — Todd Haynes Copy Share Image
Sirkian films really aren't - at least the way I see them, they're not about identification. They don't have voiceover. A lot… — Todd Haynes Copy Share Image
The ways in which Oscar Wilde was attacking the Romantics that preceded him, and the Romantic ideas that preceded him, were very… — Todd Haynes Copy Share Image
I don't know if I ever entertained an academic career, nor did I ever think I'd become a feature film-maker in the market. — Todd Haynes Copy Share Image
Feminist theory has left an indelible mark on my own critical—and creative—thinking . . . For me, everything I questioned about what it meant… — Todd Haynes Copy Share Image
I'm used to always having struggles getting finances together and keeping precarious budgets alive in the independent film world. — Todd Haynes Copy Share Image
It's funny: I don't feel like I have any particular privileged feeling for the Fifties. — Todd Haynes Copy Share Image
I'm drawn to female characters; not all of them are strong characters. — Todd Haynes Copy Share Image
Looking at photographs of New York in 1952, you find a powerfully pre-Eisenhower era - sagging, tired, distressed - and the palette is slightly dissonant. — Todd Haynes Copy Share Image
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were… — Todd Haynes Copy Share Image
Films like 'The Godfather,' 'Chinatown' and 'The Exorcist' brought a realism and currency and understatement to their genres that we wanted for 'Mildred Pierce.' — Todd Haynes Copy Share Image
There were interesting ways that queerness could hide out and get played out pre-Stonewall. It is part of a vast history that is getting… — Todd Haynes Copy Share Image
![“In male-driven [films], the protagonist is not the person who's necessarily in harms way. There's a sense that they're going to figure out how to persevere and take on the obstacles and foes and you don't necessarily know if that's going to happen with the subjects of love stories.” quote by Todd Haynes](https://sms4smile.com/quotes/img-quotes/12f/todd-haynes-2626_driven_in-male-driven-films-the-protagonist-is_1855729.jpg)
![“I know a bit about his [Sirk] life, but it's more about his style than biography. He was European and came out of a theater background, and could easily be defined as 'Brechtian.' He was expressionistic in his films, and was an example of those intensely intellectual artists who ended up working…” quote by Todd Haynes](https://sms4smile.com/quotes/img-quotes/a42/todd-haynes-2626_american-values_i-know-a-bit-about-his-sirk-life-but-it_1285949.jpg)
