I believe in characters as vehicles of exposition. Their voices are full of hidden clues, and I like to listen to them. — Manuel Puig Copy Share Image
If the novelist shares his or her problems with the characters, he or she is able to study his personal unconscious. — Manuel Puig Copy Share Image
I locate that special problem in a character and then try to understand it. That's the genesis of all my work. — Manuel Puig Copy Share Image
I think cinema is closer to allegories than to reality. It's closer to our dreams. — Manuel Puig Copy Share Image
If it's great stuff, the people who consume it are nourished. It's a positive force. — Manuel Puig Copy Share Image
What's better, a poetic intuition or an intellectual work? I think they complement each other. — Manuel Puig Copy Share Image
Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of… — Manuel Puig Copy Share Image
Contrary to what Kafka does, I always like to refer all of my fictions to the level of reality, He, on the other hand,… — Manuel Puig Copy Share Image
I've always wondered why there isn't a great French novel about the German occupation. The nouveau roman authors weren't interested in telling that sort… — Manuel Puig Copy Share Image
I do believe that reading can help you understand what you're writing and see what others are doing. But sometimes the desire for more… — Manuel Puig Copy Share Image
I don't have traceable literary models because I haven't had great literary influences in my life. — Manuel Puig Copy Share Image
For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free. — Manuel Puig Copy Share Image
If a spectator with a philosophical mind, somebody accustomed to reading books, gets the same kind of information in a movie, he might not… — Manuel Puig Copy Share Image
What better model of a synthesis than a nocturnal dream? Dreams simplify, don't they? — Manuel Puig Copy Share Image
