With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it… — Brian Reitzell Copy Share Image
I always liked the stress, the real high-stakes, get-the-orders-out line-cook job, as well as the ordering of the produce and everything - it's really… — Brian Reitzell Copy Share Image
Indie movies can be a lot more stressful than studio pictures. The stakes are just as high whether you're talking $3 million or $40 million. — Brian Reitzell Copy Share Image
'Lost in Translation' was a year of my life, if not more, and then 'Marie Antoinette' was about three years of my life. — Brian Reitzell Copy Share Image
With 'Hannibal,' it's like reactive scoring so I don't get ahead. I don't read a script; I don't want to know what's going to… — Brian Reitzell Copy Share Image
An orchestra can add some class, a historical vibe, but I believe you can get the same emotion from pottery wheels. — Brian Reitzell Copy Share Image
I've put a lot of records out and a lot of soundtracks, and 'Hannibal' is kind of a special one. — Brian Reitzell Copy Share Image
'Loveless' was a really big record for me. It was what was keeping me alive when I was still touring with Redd Kross. — Brian Reitzell Copy Share Image
I'm not a sports fan, but I remember watching highlights with post-rock guitar instrumental music over these slow-motion shots of football players. It's triumphant,… — Brian Reitzell Copy Share Image
My favourite scores, they have very little music. I don't ever want to notice the music coming in. I just want it to suddenly… — Brian Reitzell Copy Share Image
My dad had a candy-apple red sparkle drag boat with a giant hemi engine in it that he raced professionally. The sound of that… — Brian Reitzell Copy Share Image
