The problem with Hot Fuzz and Shaun of the Dead is that they worked brilliantly in the UK, the US, and Australia;… — Eric Fellner Copy Share Image
People are piling into England, there's lots of studio films happening there. When we budget our films we multiply it by 1.55… — Eric Fellner Copy Share Image
Now there's always exceptions to that and the reason is if the film doesn't really work, whereas before you could rely on… — Eric Fellner Copy Share Image
'Billy Elliot' embodies the idea that anyone can achieve anything regardless of their socio-economic background. — Eric Fellner Copy Share Image
The dream was to not only make a good-looking film that engaged, but also had the DNA of the show so the fans would… — Eric Fellner Copy Share Image
It is rare that you read scripts that genuinely move you and make you feel that, regardless of the commercial possibilities, you have to… — Eric Fellner Copy Share Image
Oh, IMDB, yeah; there's a few things on there that are TV, they're not film, some things they think we did that we didn't.… — Eric Fellner Copy Share Image
You can't develop a great car and sell it as an independent. You can develop a great car and make a deal with Mercedes. — Eric Fellner Copy Share Image
The pay window will be: you can choose how and when you see, whether you see it on Comcast or Warner's Cable delivery system… — Eric Fellner Copy Share Image
For me, I can't tell you if the film is good or bad, all I can say is for me the film is way… — Eric Fellner Copy Share Image
Do we have good writers, producers and actors in the U.K.? Yes we do. — Eric Fellner Copy Share Image
It might sound a small thing, but if you want to get Tom Cruise into your movie, without a track record or without those… — Eric Fellner Copy Share Image
Film is not a national business. It's international. And its centre will always be Hollywood. — Eric Fellner Copy Share Image
