I left Beijing in 1987, shortly before my books were banned there, but have returned continually. — Ma Jian Copy Share Image
In February of this year I returned to China to research my next book. The authorities know about the novels of mine… — Ma Jian Copy Share Image
While I was writing 'Stick Out Your Tongue' in Beijing, the police began knocking on my door again. As soon as I… — Ma Jian Copy Share Image
I believe that the power of literature is stronger than the power of tyranny. — Ma Jian Copy Share Image
Everything I was I carry with me, everything I will belies waiting on the road ahead. — Ma Jian Copy Share Image
I am trying to persuade my family to spend more time in China. It's no fun to be in exile. I can't even figure… — Ma Jian Copy Share Image
“I see my skeleton walking down the street now. I’m walking behind it. Our feet touch the ground at the same time. I am… — Ma Jian Copy Share Image
Red Dust was about the late 1980s; it was a time of burgeoning hopes and opening up and people searching for new ways. — Ma Jian Copy Share Image
I meant that the Chinese people are not aware of their own entrapment. They believe they live in a free society, but don't realize… — Ma Jian Copy Share Image
I am completely in favour of dialogue and engagement. But it must be a true, open dialogue. — Ma Jian Copy Share Image
I have to live within my memories, within my private universe, and continually return to China, the land where my thoughts are locked. This… — Ma Jian Copy Share Image
After the Tiananmen Massacre, I felt compelled not only to continue writing but to actively resist the restrictions placed on freedom of speech. I… — Ma Jian Copy Share Image
The Beijing Olympics represent China's grand entrance onto the world stage and confirmation of its new superpower status. — Ma Jian Copy Share Image
China is completely lacking in self-awareness and as someone who has stepped outside that society, I have a responsibility to write about it as… — Ma Jian Copy Share Image
“When our parents are alive, they stand in front of us, blocking our view of death. But once they’ve gone, we find ourselves at… — Ma Jian Copy Share Image
It is vitally important for me, both personally and for my writing, to be able to return to China freely, so being barred entry… — Ma Jian Copy Share Image
