“Privately, she was proud of her Oscar for The Big House because she had conquered a variety of obstacles to create a realistic film where for the first time audiences heard prison doors slam shut, inmates’ steps shuffle down the… — Cari Beauchamp Copy Share Image
“As Frances Marion rose to accept the Academy Award for Screenwriting for her original story The Big House, she became the first woman writer to win an Oscar. Since 1917, she had been the highest-paid screenwriter in Hollywood—male or female—and… — Cari Beauchamp Copy Share Image
“Frances maintained they took care of each other and claimed “I owe my greatest success to women. Contrary to the assertion that women do… — Cari Beauchamp Copy Share Image
“While Photoplay mused that “Strangely enough, women outrank men as continuity writers,” it wasn’t strange to them. Women had always found sanctuary in writing;… — Cari Beauchamp Copy Share Image
“Privately, she was proud of her Oscar for The Big House because she had conquered a variety of obstacles to create a realistic film… — Cari Beauchamp Copy Share Image
“At twenty-five, Marion had already developed the philosophy to “take failure with my chin up and success, when it comes, in stride.” — Cari Beauchamp Copy Share Image
“Eventually Frances was credited with writing 325 scripts covering every conceivable genre. She also directed and produced half a dozen films, was the first… — Cari Beauchamp Copy Share Image
“There was Mary Pickford, who called Frances “the pillar of my career,” for she had written Rebecca of Sunnybrook Farm, Pollyanna, A Little Princess,… — Cari Beauchamp Copy Share Image
“As Frances Marion rose to accept the Academy Award for Screenwriting for her original story The Big House, she became the first woman writer… — Cari Beauchamp Copy Share Image
“Their task was to film the work of the Allied women. More than 20,000 American women served overseas during the war—10,000 as nurses in… — Cari Beauchamp Copy Share Image
“Her friendships were as legendary as her stories and some of the best were with her fellow writers for during the teens, 1920s, and… — Cari Beauchamp Copy Share Image
“Los Angeles in 1912 was a sprawling flatland stretching between the ocean and the mountains. Within a thirty-five-mile radius, there were forty incorporated towns,… — Cari Beauchamp Copy Share Image
“George Cukor was still a young emerging talent at RKO, but they were to become lifelong friends after making Dinner at Eight and Camille… — Cari Beauchamp Copy Share Image
“Today, names of screenwriters like Zoe Akins, Jeanie Macpherson, Beulah Marie Dix, Lenore Coffee, Anita Loos, June Mathis, Bess Meredyth, Jane Murfin, Adela Rogers… — Cari Beauchamp Copy Share Image
“And there was Adela Rogers St. Johns, her friend since their girlhood in San Francisco. Adela would also be nominated for Best Original Story… — Cari Beauchamp Copy Share Image
“Lillian was determined that her next role would be Hester Prynne in Nathaniel Hawthorne’s The Scarlet Letter and assumed she only needed to find… — Cari Beauchamp Copy Share Image
“The vastness, the immensity, the awfulness of what I saw as I kept moving along with the front line engagements was utterly beyond my… — Cari Beauchamp Copy Share Image
![“The vastness, the immensity, the awfulness of what I saw as I kept moving along with the front line engagements was utterly beyond my powers of comprehension, let alone my ability to describe or scenarioize [sic]. . . . I could not write of the war, of the agonies, of the bravery of our boys or…” quote by Cari Beauchamp](https://sms4smile.com/quotes/img-quotes/6ea/cari-beauchamp-30102_humor_the-vastness-the-immensity-the-awfulness_2897307.jpg)