To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a… — Bill Sienkiewicz Copy Share Image
It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed — Bill Sienkiewicz Copy Share Image
You're telling the story, creating the sets, doing the lighting, the designing, and establishing the pace. — Bill Sienkiewicz Copy Share Image
There is a whole generation of people who are going to see movies or watch TV who don't want to work. — Bill Sienkiewicz Copy Share Image
I was lucky enough to be given books that weren't top sellers; books that were kind of under the radar — Bill Sienkiewicz Copy Share Image
Kyle Baker's work is really funny, but it's also got a very clear vision — Bill Sienkiewicz Copy Share Image
Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as… — Bill Sienkiewicz Copy Share Image
For a while I felt very alone; sort of out there in the world of comics, especially here in the States — Bill Sienkiewicz Copy Share Image
After that I jumped, especially being in art school, to the illustrators. — Bill Sienkiewicz Copy Share Image
Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra. — Bill Sienkiewicz Copy Share Image
Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but… — Bill Sienkiewicz Copy Share Image
One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of… — Bill Sienkiewicz Copy Share Image
If you're going to establish a certain level of unreality than you have to deal with it — Bill Sienkiewicz Copy Share Image
