“—rather than those of more iconic figures such as Ahab, Othello, or Lear, my focus will be on irritation instead of anger, envy rather than jealousy, and “stuplimity” as opposed to the transcendent feeling of the sublime.” — Sianne Ngai Copy Share Image
“Aristotle have shown how the principle of mutual fear actively binds men into the contracts that support the political commonwealth, and how anger advances the redressing of perceived injustices through retaliation, it is difficult to imagine how either of these… — Sianne Ngai Copy Share Image
“in my afterword, which discusses the ugliest of all ugly feelings: disgust. As” — Sianne Ngai Copy Share Image
“—rather than those of more iconic figures such as Ahab, Othello, or Lear, my focus will be on irritation instead of anger, envy rather… — Sianne Ngai Copy Share Image
“Both are also examples of film noir, a postwar genre commonly understood (even to the point of cliché) as being aesthetically and ideologically driven… — Sianne Ngai Copy Share Image
“In other words, a positional parallelism in which sound is foregrounded as an independent feature (Nathanson, WP, 140), comes to override an ideational parallelism… — Sianne Ngai Copy Share Image
“Indeed, while it is widely agreed that “emotions play roles in forms of action,”22 the feelings in this study tend to be diagnostic rather… — Sianne Ngai Copy Share Image
“On one hand, the state of being “animated” implies the most general of all affective conditions (that of being “moved” in one way or… — Sianne Ngai Copy Share Image
“In fact, the shot’s cunning re-objectivization suggests just how uncertain this surveillance expert’s grasp of the visual field has perhaps been all along.” — Sianne Ngai Copy Share Image
“In fact, I would suggest that what each moment produces is the inherently ambiguous affect of affective disorientation in general—what we might think of… — Sianne Ngai Copy Share Image
“As an affective matrix devised as a “psychological explanation” for revolutionary or political impulses, which reduces social antagonisms to deficiencies of individual character or… — Sianne Ngai Copy Share Image
“these audible demonstrations that whether the feeling is vested in abstract systems or in personal relationships, the world of the novel’s story runs on… — Sianne Ngai Copy Share Image
“Indeed, as a system of exchange based on a highly codified feeling that is continually reproduced and circulated even as it cannot be subjectively… — Sianne Ngai Copy Share Image
“The Conversation to produce another highly determinate feeling—paranoia—that not coincidentally replicates the subjective/objective oscillation in its basic structure: Is the enemy out there or… — Sianne Ngai Copy Share Image
