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What is the use of composing if it is to confine the…

“What is the use of composing if it is to confine the product within the precinct of the concert or the solitude of listening to the radio? To compose, at least by propensity, is to give to do, not to give to hear but to give to write. The modern location for music is not the concert hall, but the…” quote by Roland Barthes
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““What is the use of composing if it is to confine the product within the precinct of the concert or the solitude of listening to the radio? To compose, at least by propensity, is to give to do, not to give to hear but to give to write. The modern location for music is not the concert hall, but the stage on which the musicians pass, in what is often a dazzling display, from one source of sound to another. It is we who are playing, though still it is true by proxy; but one can imagine the concert - later on? - as exclusively a workshop, from which nothing spills over - no dream, no imaginary, no short, no 'soul' and where all the musical art is absorbed in a praxis with no remainder.””

Roland Barthes

About This Quote

This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.

Composition should be about creation, not confinement; music lives in dynamic interaction, not static listening.

In simple terms: Music is about creating, not just listening.

Key Takeaway

Embrace active, collaborative creation.

Themes

art music creativity performance

Mood

inspirational thoughtful

Type

artistic philosophical

When to use this quote

  • concert design
  • musical education
  • creative workshops

Key Concepts

aesthetics participatory art

Questions to Reflect On

  • How can audiences become co‑creators?
  • What spaces foster collaborative art?
A Different Perspective

Focusing solely on performance may limit artistic freedom.

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