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I got into architecture via fine arts, and I was a…

“I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air?…” quote by Peter Marino
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“I got into architecture via fine arts, and I was a sculptor myself, and I have always involved artists in my projects. When I say 'involved,' I mean I always bring artists in at the beginning projects before they're built and say, 'Will you do a room? Will you do a sculpture floating in mid-air? Will you make a chimney? Will you do something?'”

Peter Marino

About This Quote

This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.

He integrates artists early in design, believing collaboration enriches architecture with creative elements.

In simple terms: Artists involved from project start.

Key Takeaway

Invite artists early to shape spaces.

Themes

collaboration creativity design integration

Mood

innovative enthusiastic

Type

professional inspirational

When to use this quote

  • building projects
  • public installations
  • private residences

Key Concepts

interdisciplinary design artist‑architect partnership

Questions to Reflect On

  • How do you choose collaborating artists?
  • What benefits arise from early artistic input?
A Different Perspective

Early involvement can cause scope creep.

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