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Yes, I think a lot happened here. This fountain in the…

“Yes, I think a lot happened here. This fountain in the wall. Pico and Lorenzo and Poliziano and the young Michelangelo. They held in each hand the new world and the old world. The library hunted down the last four books of Cicero. They imported a giraffe, a rhinoceros, a dodo. Toscanelli drew maps…” quote by Michael Ondaatje
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““Yes, I think a lot happened here. This fountain in the wall. Pico and Lorenzo and Poliziano and the young Michelangelo. They held in each hand the new world and the old world. The library hunted down the last four books of Cicero. They imported a giraffe, a rhinoceros, a dodo. Toscanelli drew maps of the world based on correspondence with merchants. They sat in this room with a bust of Plato and argued all night. And then came Savonarola's cry out of the streets: 'Repentance! The deluge is coming!' And everything was swept away – free will, the desire to be elegant, fame, the right to worship Plato as well as Christ. Now came the bonfires – the burning of wigs, books, animal hides, maps. More than four hundred years later they opened up the graves. Pico's bones were preserved. Poliziano's had crumbled into dust.””

Michael Ondaatje

About This Quote

This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.

The passage describes Renaissance scholars’ curiosity, their collection of knowledge and artifacts, and the violent reaction that tried to erase cultural progress.

In simple terms: Renaissance scholars gathered knowledge; later, forces tried to destroy it.

Key Takeaway

Preserve and protect knowledge despite opposition.

Themes

history culture knowledge censorship rebellion

Mood

thoughtful somber

Type

historical philosophical

When to use this quote

  • academic research
  • museum curation
  • cultural preservation
  • political activism

Key Concepts

humanism intellectual curiosity iconoclasm

Questions to Reflect On

  • What drives societies to destroy knowledge?
  • How can we safeguard cultural heritage today?
A Different Perspective

Counterpoint: The narrative romanticizes the past, ignoring complexities of power.

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