On the proper role of coincidence in fiction —more exactly…
““ On the proper role of coincidence in fiction —more exactly in storymaking, ... Aristotle declares in effect that since real life now and then includes unlikely coincidences both idle and consequential ... a storymaker may legitimately deploy such a possible-though-improbable happenstance to begin the tale or to give its plot-screws an early turn. Thereafter, however, the Plausible (even when strictly impossible) is ever to be preferred to the Possible-but-Unlikely; and in the resolution of a plot, most particularly, coincidence ought to be eschewed. Fate in fiction, decrees the great A, ought to flow from character and situation, not from chance; let no god on wires drop down at climax-time to rescue the storymaker from whatever dramaturgical corner his want of experience, talent, or judgment has painted him into.””
About This Quote
This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.
In storytelling, coincidences should be used sparingly; plot should arise from character and situation, not chance.
In simple terms: Stories should rely on characters, not random events.
Key Takeaway
Prioritize character-driven plot over contrived coincidences.
Themes
storytelling
coincidence
character
plot
craft
Mood
analytical
critical
Type
educational
inspirational
When to use this quote
- novel writing
- screenwriting
- playwriting
- creative workshops
- editing sessions
Key Concepts
literary theory
narrative structure
dramatic design
Questions to Reflect On
- When does a coincidence feel earned?
- How can character actions replace chance?
A Different Perspective
Overreliance on coincidence can feel lazy to readers.