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Every movement that slays its gods creates new ones, of…

“Every movement that slays its gods creates new ones, of course. I loathe talk of the sixties and seventies being a 'Greatest Generation' of artists, but if we're going to use such idiotic appellations, let this one also be applied to the artists, curators, and gallerists who emerged in the first…” quote by Jerry Saltz
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“Every movement that slays its gods creates new ones, of course. I loathe talk of the sixties and seventies being a 'Greatest Generation' of artists, but if we're going to use such idiotic appellations, let this one also be applied to the artists, curators, and gallerists who emerged in the first half of the nineties.”

Jerry Saltz

About This Quote

This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.

Labeling artistic eras creates hierarchies that ignore individual contributions and evolving contexts.

In simple terms: Labels simplify art history but hide nuance.

Key Takeaway

Critique art without relying on broad generational tags.

Themes

art history generational bias

Mood

critical analytical

Type

artistic historical

When to use this quote

  • museum curation
  • art education
  • media reviews
  • artist interviews

Key Concepts

cultural criticism identity trend analysis

Questions to Reflect On

  • What defines a "great" artistic generation?
  • How can we recognize diverse contributions?
A Different Perspective

Overemphasis on labels can marginalize emerging voices.

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