Graham Nelson

For a fortnight nobody at all emailed me, or posted a follow-up. Doesn't anyone care, I thought? It turned out my newsreader…

— Graham Nelson

The 'interactive fiction' format hasn't changed in any fundamental way since the early 1970s, in the same way that the format of…

— Graham Nelson

Then in my early teens, when the home computer bubble was blowing, I had one of the first, an Acorn Atom, and…

— Graham Nelson

This means keeping many trails open at once, inevitably requiring a fairly 'parallel' plot. This plot should be discovered rather than announced,…

— Graham Nelson

At the end of April I archived 'Curses' and Inform, and announced them on the newsgroups.

— Graham Nelson

By the new year of 1994, it had grown up into Inform 4 and could produce games twice as large.

— Graham Nelson

Writing a really general parser is a major but different undertaking, by far the hardest points being sensitivity to context and resolution…

— Graham Nelson

I'm rather pleased with the new manuals. I see Inform now as a gauche young adult, having got past the stage of…

— Graham Nelson

If you're setting a game during the Cuban Missile Crisis, look through a library. find out what people were wearing, what other…

— Graham Nelson

A deliberate choice on my part was for the player to continue to find new possibilities in the early Attic rooms far…

— Graham Nelson

Eventually I found it had been working all along-but didn't show anything on screen until it had the first full page of…

— Graham Nelson

What I would pay much more attention to are the few points where the player can inadvertently make a career decision. Most…

— Graham Nelson

The most frequent complaint is that it's hard. True. it's a hard game to win Also, many people ask me how to…

— Graham Nelson

The time has mainly gone on getting Inform into a decent shape for public use. I suppose the plot of 'Curses' makes…

— Graham Nelson

I like to employ a form of repetition, in which the same elements recur but in different and unexpected ways. rather than…

— Graham Nelson

I don't really believe in 'directions' in art; the rope twists as you follow it, that's all.

— Graham Nelson

If pushed, though, I'd say that the next stage will be reached when it it's no longer true that about 75% of…

— Graham Nelson

I try to make puzzles range all the way from easy to hard, and to leave many open at once.

— Graham Nelson

Players very widely disagree with me about what's hard and what's easy. and in a way, 'I won, but it was a…

— Graham Nelson