His father, Vincent, took him to La Coupole in Paris and, after sitting on the terrace for a while, walked off and… — Anatole Broyard Copy Share Image
In an age like ours, which is not given to letter-writing, we forget what an important part it used to play in… — Anatole Broyard Copy Share Image
People ... have no idea what a hard job it is for two writers to be friends. Sooner or later you have… — Anatole Broyard Copy Share Image
A whole generation of writers dined out on the dialectic between original cultures and their culture by "progress. — Anatole Broyard Copy Share Image
To be misunderstood can be the writer's punishment for having disturbed the reader's peace. The greater the disturbance, the greater the possibility… — Anatole Broyard Copy Share Image
An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular. — Anatole Broyard Copy Share Image
A whole generation of writers dined out on the dialectic between original cultures and their culture by progress. They became traveling salesmen… — Anatole Broyard Copy Share Image
Either a writer doesn't want to talk about his work, or he talks about it more than you want. — Anatole Broyard Copy Share Image
To choose a writer for a friend is like palling around with your cardiologist, who might be musing as you talk to… — Anatole Broyard Copy Share Image
Sex almost always disappoints me in novels. Everything can be said or done now, and that's what I often find: everything, a… — Anatole Broyard Copy Share Image
It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives… — Anatole Broyard Copy Share Image
The more I like a book, the more reluctant I am to turn the page. Lovers, even book lovers, tend to cling. No one-night… — Anatole Broyard Copy Share
If a book is really good, it deserves to be read again, and if it's great, it should be read at least three times. — Anatole Broyard Copy Share
It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't… — Anatole Broyard Copy Share
“The contents of someone's bookcase are part of his history, like and ancestral portrait.” — Anatole Broyard Copy Share
A whole generation of writers dined out on the dialectic between original cultures and their culture by "progress. — Anatole Broyard Copy Share
“When we were in bed, the only part of me she touched was my penis, because it was the most detached.” — Anatole Broyard Copy Share
The contents of someone's bookcase are part of his history, like an ancestral portrait. — Anatole Broyard Copy Share
There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art… — Anatole Broyard Copy Share
Travel is like adultery: one is always tempted to be unfaithful to one's own country. To have imagination is inevitably to be dissatisfied with… — Anatole Broyard Copy Share
The tension between 'yes' and no', between 'I can' and 'I cannot,' makes us feel that, in so many instances, human life is an… — Anatole Broyard Copy Share
To choose a writer for a friend is like palling around with your cardiologist, who might be musing as you talk to him that… — Anatole Broyard Copy Share
Lapped in poetry, wrapped in the picturesque, armed with logical sentences and inalienable words. — Anatole Broyard Copy Share
“The most dangerous part of lending books lies in the returning. At such times, friendships hang by a thread. I look for agony, ecstasy,… — Anatole Broyard Copy Share
In an age like ours, which is not given to letter-writing, we forget what an important part it used to play in people's lives. — Anatole Broyard Copy Share
