1985 - That was my time in New York, and I have such poetic, fond memories. — George C. Wolfe Copy Share Image
The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about… — George C. Wolfe Copy Share Image
Growing up in the South, I was raised to be a Negro boy. I was acutely aware how other people perceived me,… — George C. Wolfe Copy Share Image
A music serves truth up to you in a really interesting way that allows you to luxuriate in its beauty and, at… — George C. Wolfe Copy Share Image
Each actor, every single time you work with an actor, you have to come up with the language that's going to serve… — George C. Wolfe Copy Share Image
Any time there is a cultural breakthrough in which this culture transcends what it's supposed to be, there's a violent reaction. So… — George C. Wolfe Copy Share Image
My absolutely favorite time of working on a project is the time I spend not knowing what it is. Because the longer… — George C. Wolfe Copy Share Image
“c. “So, hunny, don’t waste your time trying to label or define me…’cause I’m not what I was ten years ago or… — George C. Wolfe Copy Share Image
I feel like I've been very blessed in the sense that I've had the veracity of spirit to not be stopped and,… — George C. Wolfe Copy Share Image
Always, when I do a play, there's got to be an equation of risks and potential failure. When you're working on a… — George C. Wolfe Copy Share Image
I could program a 'fabulous, I love it' kind of hit season right now. I'm more interested in breaking boundaries, telling a story, defying… — George C. Wolfe Copy Share
The world doesn't see a lot of gray. The world sees black and white, and then it understands. — George C. Wolfe Copy Share
You adjust what you do depending on the actor. You evolve a vocabulary and a way of language and talking with each actor. — George C. Wolfe Copy Share
A lot of '20s musicals were a hodgepodge of melodrama, mixed with operetta and romance, and then some sense of modernism and some sense… — George C. Wolfe Copy Share
There is a real affection for these human beings on these stage that O'Neill really had. Out of that affection comes a lot of… — George C. Wolfe Copy Share
Our lives are connected in ways we can't imagine. They're connected even before we know they're connected. — George C. Wolfe Copy Share
If you have the talent and passion and commitment, you shouldn't be locked out of the room. — George C. Wolfe Copy Share
When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving… — George C. Wolfe Copy Share
Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist. — George C. Wolfe Copy Share
Doing any kind of culture in America in which you are not trying to affirm a European aesthetic is war. — George C. Wolfe Copy Share
I was raised to believe that other people's suffering was my responsibility. — George C. Wolfe Copy Share
I think we all have a primal desire to know as much as we can to find out about where we come from. — George C. Wolfe Copy Share
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And… — George C. Wolfe Copy Share
The hardest thing about a musical is making sure everybody is working on the same damn show. That is the monster. — George C. Wolfe Copy Share
