Commitment to a set of rules frees your play to attain a profundity and vigor otherwise impossible. — Stephen Nachmanovitch Copy Share Image
Creative work is play. It is free speculation using materials of ones chosen form. — Stephen Nachmanovitch Copy Share Image
Play, creativity, art, spontaneity, all these experiences are their own rewards and are blocked when we perform for reward or punishment, profit… — Stephen Nachmanovitch Copy Share Image
Practice is an ever-fresh, challenging flow of work and play in which we continually test and demolish our own delusions; therefore, it… — Stephen Nachmanovitch Copy Share Image
Play enables us to rearrange our capacities and our very identity so that they can be used in unforeseen ways — Stephen Nachmanovitch Copy Share Image
Technique itself springs from play, because we can acquire technique only by the practice of practice, by persistently experimenting and playing with… — Stephen Nachmanovitch Copy Share Image
Play, intrinsically rewarding, doesn't cost anything; as soon as you put a price on it, it becomes, to some extent, not play. — Stephen Nachmanovitch Copy Share Image
The noun of self becomes a verb. This flashpoint of creation in the present moment is where work and play merge. — Stephen Nachmanovitch Copy Share Image
Play is the taproot from which original art springs. It is the raw stuff that the artist channels with all his learning… — Stephen Nachmanovitch Copy Share Image
Structure ignites spontaneity. Limits yield intensity. When we play... by our self-chosen rules, we find that containment of strength amplifies strength. — Stephen Nachmanovitch Copy Share Image
If I "try" to play, I fail; if I force the play, I crush it; if I race, I trip. Any time… — Stephen Nachmanovitch Copy Share Image
If form is mechanically applied, it may indeed result in work that is conventional, if not pedantic or stupid. But form used… — Stephen Nachmanovitch Copy Share Image
I no longer sought skill, flexibility, strength, endurance, muscle tone, and quick responsiveness as means of imposing my will on the instrument,… — Stephen Nachmanovitch Copy Share Image
This is the evolutionary value of play- play makes us flexible. By reinterpreting reality and begetting novelty, we keep from becoming rigid.… — Stephen Nachmanovitch Copy Share Image
Play cannot be defined, because in play all definitions slither, dance, combine, break apart, and recombine. — Stephen Nachmanovitch Copy Share Image
Improvisation is intuition in action, a way to discover the muse and learn to respond to her call. — Stephen Nachmanovitch Copy Share
Writing, playing, composing, painting, reading, listening, looking-all require that we submit to being swept away by Eros, to a transformation of self of the… — Stephen Nachmanovitch Copy Share
Play cannot be defined, because in play all definitions slither, dance, combine, break apart, and recombine. — Stephen Nachmanovitch Copy Share
Play enables us to rearrange our capacities and our very identity so that they can be used in unforeseen ways — Stephen Nachmanovitch Copy Share
If we are transparent, with nothing to hide, the gap between language and being disappears. Then the Muse can speak. — Stephen Nachmanovitch Copy Share
Many musicians are fabulously skilled at playing the black dots on the printed page, but mystified by how the dots got there in the… — Stephen Nachmanovitch Copy Share
In the art of teaching, we recognize that ideas and insights need to cook over a period of time. Sometimes the student who is… — Stephen Nachmanovitch Copy Share
Every moment of life is unique-a kiss, a sunset, a dance, a joke. None will ever recur in quite the same way. Each happens… — Stephen Nachmanovitch Copy Share
Every attempt we make is imperfect; yet each one of those imperfect attempts is an occasion for a delight unlike anything else on earth. — Stephen Nachmanovitch Copy Share
An improviser does not operate from a formless vacuum, but from three billion years of organic evolution — Stephen Nachmanovitch Copy Share
Creative work is play. It is free speculation using materials of ones chosen form. — Stephen Nachmanovitch Copy Share
Brahms once remarked that the mark of an artist is how much he throws away. Nature, the great creator, is always throwing things away.… — Stephen Nachmanovitch Copy Share
If the art is created with the whole person, then the work will come out whole. Education must teach, reach, and vibrate the whole… — Stephen Nachmanovitch Copy Share
Play, creativity, art, spontaneity, all these experiences are their own rewards and are blocked when we perform for reward or punishment, profit or loss. — Stephen Nachmanovitch Copy Share
Technique itself springs from play, because we can acquire technique only by the practice of practice, by persistently experimenting and playing with our tools… — Stephen Nachmanovitch Copy Share
