The popular mythology of creative genius depends on beloved stereotypes of the artist in youth and old age: the misunderstood upstart who… — Martin Filler Copy Share Image
Winning the Pritzker assures a flood of work in one's seventies and eighties, jobs necessarily carried out by assistants as the demands… — Martin Filler Copy Share Image
Masterpieces of art possess immense potential to advance a worldview that could help assuage the societal terrors posed by globalization, the most… — Martin Filler Copy Share Image
The danger for any artist whose work is both recognizable and critically acclaimed is complacent repetition - the temptation to churn out… — Martin Filler Copy Share Image
Picasso's superhuman gift for draftsmanship might have made him lazy about pursuing the full potential of color. It was not unusual for… — Martin Filler Copy Share Image
The role of the architect as artist is an ancient one, but it was de-emphasized with the rise of modernism, which rejected… — Martin Filler Copy Share Image
From the outset, MoMA followed the Bauhaus's strict prohibition against design that even hinted at the decorative, a prejudice that skewed the… — Martin Filler Copy Share Image
Few developments central to the history of art have been so misrepresented or misunderstood as the brief, brave, glorious, doomed life of… — Martin Filler Copy Share Image
The most basic task of any museum must be the protection of works of cultural significance entrusted to its care for the… — Martin Filler Copy Share Image
We take from the art of the past what we need. The variable posthumous reputations of even the greatest artists and the… — Martin Filler Copy Share Image
What a museum chooses to exhibit is sometimes less important than how such decisions are made and what values inform them. To… — Martin Filler Copy Share Image
Avant-garde architects have never been able to depend on the support of the establishment, since the customary patrons of this most conservative… — Martin Filler Copy Share Image
Elevated locations imply elevated purposes, even in American cities departing as radically as Los Angeles does from the traditional planning patterns of the Eastern… — Martin Filler Copy Share
Architecture is not a profession for the faint-hearted, the weak-willed, or the short-lived. — Martin Filler Copy Share
The danger for any artist whose work is both recognizable and critically acclaimed is complacent repetition - the temptation to churn out easily identifiable,… — Martin Filler Copy Share
Architectural kitsch is most common in the commercial pop vernacular - typified by the Big Duck of 1931 in Flanders, New York, a Long… — Martin Filler Copy Share
The Frankfurt Museum of Decorative Arts is a handsome building, which takes its cues from the riverside Biedermeier villa next to it, and it… — Martin Filler Copy Share
The most basic task of any museum must be the protection of works of cultural significance entrusted to its care for the edification and… — Martin Filler Copy Share
Postmodernism came nowhere close in quality to Modernism at its apogee, not least because that later style wholly lacked the social impetus that animated… — Martin Filler Copy Share
One reason I've never been a fan of graphic novels is because a central aspect of literature for me has always been imagining what… — Martin Filler Copy Share
The truth be told, the World Trade Center was neither a very good work of architecture nor a very successful piece of urbanism. Its… — Martin Filler Copy Share
During the modern period, the vanguard architect has usually relied on small residential jobs both to supply a steady income and to serve as… — Martin Filler Copy Share
We take from the art of the past what we need. The variable posthumous reputations of even the greatest artists and the unpredictable revivals… — Martin Filler Copy Share
Masterpieces of art possess immense potential to advance a worldview that could help assuage the societal terrors posed by globalization, the most thoroughgoing socioeconomic… — Martin Filler Copy Share
The work that launched Snohetta into the architectural big leagues was their Oslo Opera House, which will certainly rank among the firm's highlights whatever… — Martin Filler Copy Share
There can be little question that the tall building presents one of the most difficult challenges to the architect. — Martin Filler Copy Share
The first half of the 1960s was the apogee of what might be termed the Age of Cool - as defined by that quality… — Martin Filler Copy Share
