Animation Quote by William Hanna Download Open image “Initially, it was sort of devastating to lose full animation and go limited.” — William Hanna ★ ★ ★ ★ ★ 3.8 out of 5 (3 ratings) Copy quoteShare Animation Devastating Full Go Lose
Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art. — Ralph Bakshi Copy Share Image
You've got to be able to make animation for much less... Less is not the studio's way. — Don Bluth Copy Share Image
There's the fact that animation is extremely time-consuming, tedious, labor-intensive, and therefore, extremely expensive as an art form to really do it right, to… — Eric Drooker Copy Share Image
The nature of the writing and the nature of the animation meant that it had to be short. — Steve Dildarian Copy Share Image
The same sort of thing was supposed to happen when performance animation was invented: Everybody thought it would save so much time. But it… — Lev Yilmaz Copy Share Image
With animation, because you can draw anything and do anything and have the characters do whatever you want, the tendency is to be very… — Matt Groening Copy Share Image
This limited theatrical release was a nice little bonus that I never expected. — Rob Corddry Copy Share Image
You can't think of animation as anything less than a performance and a show. — Rob Minkoff Copy Share Image
Thought that is no longer limited, brings experience that is no longer limited — Marianne Williamson Copy Share Image
I've seen animation features just languish until the right combination of things come along to keep it alive. — Kelly Asbury Copy Share Image
I think that - whether I should admit this or not - Joe and I, going back to 'Tom and Jerry,' have been very… — William Hanna Copy Share Image
On the 'Tom and Jerry's,' Joe and I would sit across a desk from each other and develop the story. Joe would do the… — William Hanna Copy Share Image
We are trying to build a family image of wholesome movie entertainment. — William Hanna Copy Share Image
'Tom and Jerry' seemed to be as well liked by adults as by children. 'The Flintstones,' of course, was geared more to adults, but… — William Hanna Copy Share Image
I started out with three creative jobs - painter, janitor and gag writer. — William Hanna Copy Share Image
We used to make a 'Tom and Jerry' short every six weeks and they were about six minutes long, so we were producing about… — William Hanna Copy Share Image
We wanted a world that looked like our world. In the original 'Flintstones,' low flat buildings filled the city and suburbs. Now, high-rise buildings… — William Hanna Copy Share Image
We never realized how much money there was to be found in character products. — William Hanna Copy Share Image
You know, it is a funny thing, but 'The Flintstones' was bought by ABC and the sponsors when they discovered adults were watching and… — William Hanna Copy Share Image
'The Flintstones' was the first animated series to appear on nighttime TV. — William Hanna Copy Share Image
If I'm doing a voice-over session, like animation or something, and I'm doing three different voices, you've gotta separate them. You've gotta find the… — Pamela Adlon Copy Share Image
What's unique about Disney Animation, many of the films have this perennial quality about them. They don't seem like old films, they still seem… — Rob Minkoff Copy Share Image
I was always tinkering around with stuff but nothing serious at the time. I was doing animations and drawing like crazy, but I wasn't… — Chad VanGaalen Copy Share Image
In feature animation, cartoony or exaggerated animation is almost taboo. There is this precedent that if you do that kind of stuff people won't… — Genndy Tartakovsky Copy Share Image
I was invited to join the MGM cartoon department. But if I'd started work in animation I'd have had to take a cut in… — Jack Nicholson Copy Share Image
I took a lot of influences from Studio Ghibli, which is the Japanese animation studio that made 'Spirited Away' and 'Castle in the Sky.'… — Jamie Hewlett Copy Share Image
I've worked in animation for a long time. I started in Spain and I wanted to make feature films. That desire to figure out… — Raul Garcia Copy Share Image
If you were to look at an old 'Betty Boop' cartoon or an 'Out of the Ink Well' animation, there are many things about… — Fred Seibert Copy Share Image
Animation has always been about technology. You can't have animation without technology. — Chris Wedge Copy Share Image
In a movie, it's often important to have aliens whose gestures and facial expressions can be 'read' by humans. And in the days before… — Seth Shostak Copy Share Image
Tigress is my alternate personality, especially with children. I love animation because you get to do things you don't normally get to. — Jennifer Yuh Nelson Copy Share Image
