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Closing my eyes Quote by Wendy Higgins

“He moved up and my ankles reveled under his scuplted hands. Sudden panic overtook me as I realized he was about to move up to my calves. I hadn't shaved! "Wait!" I said, sitting halfway up. "Not my legs. They're-" I was to embarrassed to finish. "They're lovely." His face was straight, but his…” quote by Wendy Higgins
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““He moved up and my ankles reveled under his scuplted hands. Sudden panic overtook me as I realized he was about to move up to my calves. I hadn't shaved! "Wait!" I said, sitting halfway up. "Not my legs. They're-" I was to embarrassed to finish. "They're lovely." His face was straight, but his eyes were smiling. "No, please." I pulled my knees protectively up to my chest and mumbled, "I didn't have time to shave this morning." Now he laughed. It was a marvelous sound, so rich. "All right, fine, no legs. But you are missing out. I'm not through with you. Roll onto your stomach and relax again." I obeyed, letting my arms lie limp at my sides and closing my eyes. Somehow it seemed a little safer to be on my tummy. "Mmm." He moaned, having not even touched me yet. "What?" I asked, muffled by the poofy pillow. "Oh, nothing. It's just that you have quite a nice little -””

Wendy Higgins

About This Quote

Source short story: Anonymous erotic narrative

A narrator feels intense embarrassment and vulnerability during an intimate encounter, yet the partner responds with humor and acceptance.

In simple terms: Embarrassment meets acceptance in a risky intimate moment.

Key Takeaway

Embrace vulnerability and humor in intimacy.

Themes

embarrassment intimacy humor acceptance

Mood

nervous playful intimate

Type

narrative erotic reflective

When to use this quote

  • first sexual experiences
  • trust building
  • relationship dynamics
  • personal growth

Key Concepts

vulnerability communication self‑acceptance

Questions to Reflect On

  • How does humor affect consent perception?
  • What boundaries are essential in new sexual encounters?
A Different Perspective

The scene may romanticize non‑consensual power dynamics.

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