Music Quote by Stuart Isacoff

“The Moscow audience had of course heard it many times before, but Van’s interpretation was extraordinary. The work’s thundering octaves and delicate filigree were perfectly rendered. Musical lines soared and swooped and darted swiftly to and fro, unfolding a narrative that sounded both noble and…” quote by Stuart Isacoff — Download Open image

““The Moscow audience had of course heard it many times before, but Van’s interpretation was extraordinary. The work’s thundering octaves and delicate filigree were perfectly rendered. Musical lines soared and swooped and darted swiftly to and fro, unfolding a narrative that sounded both noble and ardent, majestic fanfares alternating with lovelorn airs. From the concerto’s opening piano chords, which pealed like colossal church bells, to its dark bass rumblings and songful melodies, every tone was imbued with an inner glow, with long phrases concluding in an emphatic, edgy pounce. The effect was simply breathtaking.””

Stuart Isacoff

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More by Stuart Isacoff

“Recent breakthroughs in the field of neuro-science have shown that playing the piano is good for your brain. Dr. Gottfried Schlaug of Beth Israel Deaconess Medical Center and Harvard Medical School spoke in 2009 at the Library of Congress in Washington, D.C., on the brain’s “plasticity”—its capacity to change—and announced that even nine- to eleven-year-old musicians show more brain activity…

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“To the young among his admirers, he was the fresh face of an emerging, better world; to the old, a balm for the pain…

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“Though his rivals at the competition were well trained, there was something different about Van’s art. For many in the audience it represented the face of freedom. Performing under the auspices of a repressive regime and before an intimidating jury of some of the world’s greatest musicians, he seemed to answer to no authority other than the shifting tides of…

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“Those admirers created so strong a ballast against possible Kremlin tampering with the jury vote that it was said years later by critic Tamara Grum-Grzhimailo that the seeds of perestroika were first planted in this moment,”

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“As Victorian-era prudishness set in, some upstanding citizens also took to putting coverlets over the instrument’s legs out of an exaggerated sense of modesty.”

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“Oscar is our Liszt and Bill Evans is our Chopin,”

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“The handful of leading craftsmen turning out pianos during that time produced only around thirty to fifty of them per annum. But by 1798,…

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“Peterson revealed that he had decided the only way to get attention was “to frighten the hell out of everybody pianistically.”

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“They include conceptual artist and “environmental music” composer Annea Lockwood, who created a work entitled Piano Burning. Debuted in London in 1968, it requires…

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“Alkan even wrote a piece for four feet, called Bombardo-Carillon, in which the player’s legs are likely to get entangled during performance. (When Swiss-American…

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“The Soviet performers felt that every note had to be strictly controlled. They had excellent training, but the result lacked freshness and poetry.” That…

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“The work had its own history of struggle. Originally intended as a showpiece for pianist Nikolai Rubinstein, it was dismissed by that renowned pianist…

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Explore all 13 Stuart Isacoff quotes

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