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Human connection Quote by Stephen Koch

“It is precisely in that relationship to the Reader that you will find most of the classic faults of style: pretension, condescension, servility, obscurantism, grandiosity, vulgarity, and the like--even academicism. That's why most faults of style can be described in language relevant to human…” quote by Stephen Koch
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““It is precisely in that relationship to the Reader that you will find most of the classic faults of style: pretension, condescension, servility, obscurantism, grandiosity, vulgarity, and the like--even academicism. That's why most faults of style can be described in language relevant to human relations. Is your style frank and open...does it have some understated agenda...is it out to prove something it does not or cannot admit...is it trying to impress...show off...is it kissing up...groveling...maybe just a tad passive-aggressive, with a mumbling half-audible voice that is unwilling to explain...is it trying to convince...overwhelm...help...seduce...give pleasure...inflict pain...There is no area of the writer's work that is more responsive to the psychology of human connection than style.””

Stephen Koch

About This Quote

Source Essay: “The Art of Style” by Stephen Koch, 1995

Style reflects the writer’s relationship with readers, revealing attitudes like pretension, humility, or manipulation, which shape how the message is received.

In simple terms: Writing style shows how writers relate to readers and their motives.

Key Takeaway

Make your writing transparent and reader‑focused.

Themes

communication psychology authenticity power dynamics literary criticism

Mood

reflective critical analytical

Type

commentary observational.

When to use this quote

  • academic writing
  • creative nonfiction
  • public speaking
  • marketing copy

Key Concepts

human relations reader perception authorial intent

Questions to Reflect On

  • Do you write to connect or to impress?
  • How does your tone affect reader trust?
A Different Perspective

Style can be over‑engineered, losing clarity for the sake of impressing.

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