““Two decades later, Ferdinand Hiller had proposed in a long essay—published in a special issue of the magazine Salon that celebrated Beethoven’s centenary—precisely where the light of his genius shone most brightly. He had concluded that the fundamental brilliance of the master’s music was that it achieved softness without weakness, enthusiasm without hollowness, longing without sentimentality, passion without madness. He is deep but never turgid, pleasant but never insipid, lofty but never bombastic. In the expression of love, fervent, tender, overflowing, but never with ignoble sensuality. He can be cordial, cheerful, joyful to extravagance, to excess—never to vulgarity. In the deepest suffering he does not lose himself—he triumphs over it. . . . More universal effects have been achieved by others, but none more deep or noble. No, we may say without exaggeration that never did an artist live whose creations were so truly new—his sphere was the unforeseen.””
