““In his What is to be Done? (1863), probably the worst Russian novel of the nineteenth century (and also the most influential), the Crystal Palace embodies a utopian future, built on rational principles, of joyful work, communal existence, gender equality and free love. (Lenin was stirred enough by this vision to write a political blueprint with the same title.) But it was also latecomers to political and economic modernity – the Germans and then Russians – who sensed acutely both its irresistible temptation and its dangers.””
