Apologizing Quote by Mick LaSalle

“Before the code, women on screen took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, held down professional positions without apologizing for their self-sufficiency, and in general acted the way many of us think woman acted only after 1969.” quote by Mick LaSalle — Download Open image

“Before the code, women on screen took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, held down professional positions without apologizing for their self-sufficiency, and in general acted the way many of us think woman acted only after 1969.”

Mick LaSalle

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Apologizing Baby Cheating Code Enjoyed Husband Lovers Marriage Position Programming Screens Self Self sufficiency Sexuality Sufficiency Thinking Way Wedlock

More by Mick LaSalle

“There is no one way of seeing. Nor is there a right way of seeing. Yet simply to accept the notion that both the male and the female gaze are equally valid and equally to be valued in cinema (and in life) is to welcome with relief the rise of women directors. Needless to say, there are whole aspects of…

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“For all of [Fanny] Ardant’s ability to depict a range of emotion, I most associate her with joy. Not necessarily the depiction of joy, but rather a joy of acting, a joy of being, a joie de vivre . Ardant, in her mature performances, conveys the sense of someone bringing to scenes her full being, her whole self and experience.…

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“THIS IS A BOOK ABOUT FRENCH CINEMA, specifically the women of today’s French cinema—a subject as vital as life and as irresistible as movies. Yet many Americans, unfamiliar with French film, will hear “women of today’s French cinema” and immediately imagine something forbidding or austere. Other more refined cineastes may know and appreciate the French movies that play at art…

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“FRENCH CINEMA’S PORTRAITS of the young woman on her own constitute a strong and enriching strain in recent decades. Some of these films are romances, but just as many aren’t. Even when they are, romance and men are just conveyances for the movies’ real points of focus. These are movies all about exploring a young woman’s essence, character and soul,…

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“Drama and comedy are the polite genres, founded on collectively agreed-upon ideas, perceptions and truths. But life, as subjectively experienced, is not like comedy or drama; it is much more disorganized and grand, intimidating and embarrassing. It is much more like opera and farce. Opera shows how we really feel at our most pained or selfish or exultant, and farce…

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“THE NATURE OF FRENCH STARDOM (beginning early, staying late) makes it possible for a woman to grow up on screen. Marceau has been in films now for over thirty years. Catherine Deneuve’s career is past the midcentury mark. Danielle Darrieux has the ultimate record to reach for—she started at age fourteen and made films into her nineties. Theirs become lives…

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“The slow blossoming of a notable career is sometimes a matter of a talent finding its way. Sometimes it’s a matter of audiences coming into a gradual understanding of who that talent is, and sometimes it’s a combination of both. The important thing is that the opportunities are there for this interchange to take place. Not only does it make…

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“No longer stereotypes, these screen women had become complicated. This combination of sensuality, independence and playfulness, made them fascinating to watch and completely modern.”

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“...the best thing an individual movie lover can do is have fun. No great movement can happen in popular art without pure pleasure being the motive. (...) There should be nothing dutiful about exploring these actresses, and no one needs to consider himself or herself virtuous for knowing their films. All they offer is the exhilaration of experiencing a grand…

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Bill Maher does something amazing in Religulous. He makes Michael Moore look incredibly likable in comparison.

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“WHEN I INTERVIEWED ISABELLE HUPPERT, I mentioned in passing that she has the strongest body of work of any actress in the world. She insisted otherwise, and I insisted back, and she denied it again, and I conceded that maybe, just maybe, Meryl Streep might be tied with her in the magnificent résumé department. To which Huppert said something quite…

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