““So much of translating, Gil once told me, takes place in an imaginary space where the writer and the translator come together. It is not necessary to sympathize with the writer, to agree with what he's written. But it is necessary to walk alongside and stay in step. It's harder, he says, when the other person has a bad limp or stops and starts all the time or moves erratically. It is hardest of all when the story comes from a place the translator himself can't go.””
