““Why write tearjerkers just because they get you better reviews? You know what you have to do to win an Oscar these days? Play a character who’s lost an arm, or a leg, or a mother, or a father, or preferably all of the above. Make it miserable and squalid and base, so people will cry their eyes out and call you a genius, but if you inspire people or make them laugh? You’re not even under consideration when awards season rolls around. I’m sick of this cultural hegemony of depression.””
