““One way to understand fiction is to treat every story as an attempt to make an argument (Helena Bell has written more extensively about this concept). That feels like a natural fit with my way of thinking, colored by my experiences as a lawyer. But the “message” in fiction is harder to pin down than the “message” in a brief or essay, for the ways in which stories attempt to persuade are different from the ways in which traditional rhetoric attempts to persuade. I would say that my stories do make an argument about my view of the world, but it is a view that resists easy summation; I find the most effective way to communicate that argument is through fiction. An argument made through fiction can be subtler and more tolerant of ambivalence, more cognizant of emotion and more accommodating of uncertainty; but, because of these advantages, such an argument also tends to lose precision and can be open to (mis)interpretation. Sometimes, a reader will dismiss a work because the argument is too at odds with the reader’s own assumptions (hence the resistance to so-called “message” stories); other times, a reader will not even perceive the argument because their own stance and interpretive lens will not even allow them to see that their assumptions are being challenged.””