““Why? If I’d run into her in the street, the first thing she would have said would have been, “What are you doing back in Tokyo?” If I had used a different name, surely she would have commented on that. And if she heard me speaking in unaccented, native Japanese, of course she would have said, “I thought you said you were more comfortable with English?” So her reticence was situation-specific. I thought of the fear I had detected when her eyes had first alighted on Murakami. It was him. She was afraid of saying or doing something that would draw his attention.””
