In school we did all sorts of things, molds, slab building. We were not very proficient on the wheel because the woman… — Warren MacKenzie Copy Share Image
I went to the Chicago Art Institute, which was the best painting school in the area at that time. And I took… — Warren MacKenzie Copy Share Image
I'm striving to make things which are the most exciting things I can make that will fit in people's homes. And in… — Warren MacKenzie Copy Share Image
Remember, this is back in the 1940s, and it was sculpture which probably - in my instance probably came out of the… — Warren MacKenzie Copy Share Image
We stayed on at the Institute [Chicago called the School of Design] because that was - I don't know, you start at… — Warren MacKenzie Chicago Copy Share Image
If you didn't know what you were trying to do, [Robert von Neumann] wouldn't say a word. He would just turn and… — Warren MacKenzie Copy Share Image
I find it really enriching to make pots which people are using and which they come in contact with, not only visually… — Warren MacKenzie Copy Share Image
We asked a lot of questions and we watched everyone who was working in the studio. And we had an opportunity to… — Warren MacKenzie Aesthetic Copy Share Image
I followed [Shoji] Hamada, because I guess Alix [MacKenzie] and I, we both saw the danger that lay in planning things out… — Warren MacKenzie Copy Share Image
Friends of Bernard's [Leach] came to visit, and when we went to London, we were given introductions to people like Lucie Rie,… — Warren MacKenzie Copy Share Image
We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some… — Warren MacKenzie Copy Share Image
We had a wonderful trip, a seven-day trip, talking and sitting in the sun and so forth [with Bernard Leach]. And as… — Warren MacKenzie England Copy Share Image
Bernard [Leach] had acquired many [Shoji] Hamada works. Some of them, it was interesting - first of all, Hamada worked in St.… — Warren MacKenzie Exhibitions Copy Share Image
In the Leach Pottery we did most of our work on the wheel. [Bernard] Leach did a little work in the studio,… — Warren MacKenzie Copy Share Image
In looking at these pots at the Field Museum, Alix [MacKenzie] and I both came to a conclusion individually but also collectively… — Warren MacKenzie Ancient Copy Share Image
In searching for further training we turned to England and Bernard Leach. We thought since we had responded to his book so… — Warren MacKenzie Apprentice Copy Share Image
Hilda Reiss was the head of the Everyday Art Gallery. Hilda Reiss came from Germany, had trained at the original Bauhaus in… — Warren MacKenzie Art Copy Share Image
Eventually I gave up teaching at the St. Paul Gallery because of disagreements with the philosophy of that museum, and I got… — Warren MacKenzie Artist Copy Share Image
We were living with Bernard [Leach] in his home. He had a fantastic collection of early English and Japanese and Chinese and… — Warren MacKenzie Access Copy Share Image
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation,… — Warren MacKenzie Copy Share Image
Our main inspiration [with Alix MacKenzie], I think, came from the Field Museum of Natural History, because they had pieces which were… — Warren MacKenzie Art Copy Share Image
I thought, oh, I'm going to be a painter. And eventually my family had moved near Chicago, and when I graduated from… — Warren MacKenzie Art Copy Share Image
Living with [Bernard] Leach, who thought about pottery 24 hours a day, was a fantastic experience, and we really began to get… — Warren MacKenzie Fantastic Copy Share Image
We got a great benefit from our contact with those people [Lucie Rie, Hans Coper, Richard Batram] and met people that we… — Warren MacKenzie Copy Share Image
When I was in school in the Art Institute, we had several problems during the course of the time we were taking… — Warren MacKenzie Art Copy Share Image
We moved up here [to St.Paul with my wife] and started to teach, we very quickly found out we were not equipped… — Warren MacKenzie Copy Share Image
We [me and my wife] went back to St. Paul, worked for a year - again, I guess I would have to… — Warren MacKenzie Copy Share Image
That [silk-screen process experience] carried over when I returned from the Army and took more graphic classes at the Institute. And Alix… — Warren MacKenzie Army Copy Share Image
Finally if I had a pot that needed decoration, I would hand it to Alix [MacKenzie] and I would say, "Can you… — Warren MacKenzie Copy Share Image
These narrow-footed forms I was making, I thought, gosh, I could push those further, not to construct them the way [Hans] Coper… — Warren MacKenzie Copy Share Image
Other thing about [Field Museum of Natural History] which inspired was that in a group of pots you wouldn't see a single… — Warren MacKenzie Copy Share Image
We were more fortunate than most, because [Bernard] Leach had been in America on a lecture tour in 1950, and we made… — Warren MacKenzie America Copy Share Image
We'll be potters, we'll be painters, we'll be textile designers, we'll be jewelers, we'll be a little this, a little of that.… — Warren MacKenzie Copy Share Image
We became more familiar with [Bernard Leach], and with this familiarity came, I wouldn't say contempt, but certainly an awareness that everything… — Warren MacKenzie Awareness Copy Share Image
[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it… — Warren MacKenzie Copy Share Image
I got drafted into the army and by pure chance was pushed into a silk-screen shop at this camp where I was,… — Warren MacKenzie Army Copy Share Image
[Bernard Leach] talked about painting, but we never talked about ceramics in that evening. But at the end of the evening he… — Warren MacKenzie Apprentice Copy Share Image
I started to do silk-screen in the early days of my painting training, due to a woman who taught art history at… — Warren MacKenzie Art Copy Share Image
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think… — Warren MacKenzie Copy Share Image
I took a number of graphic courses, lithography and etching and wood engraving [at Art Institute]. And particularly as I got more… — Warren MacKenzie Art Copy Share Image