John Szarkowski Quotes
20 quotes
in 279 categories
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Photography is a contest between a photographer and the presumptions of approximate and habitual seeing. The contest can be held anywhere ...
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To quote out of context is the essence of the photographer's craft.
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Photography is the easiest thing in the world if one is willing to accept pictures that are flaccid, limp, bland, banal, indiscriminately informative, and pointless.…
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A camera has interesting ideas of its own.
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The basic material of photographs is not intrinsically beautiful. It's not like ivory or tapestry or bronze or oil on canvas. You're not supposed to…
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Luck is the attentive photographer's best teacher.
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In practice a photographer does not concern himself with philosophical issues while working; he makes photographs, working with subject matter that he thinks will make…
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Photography is a system of visual editing. At bottom, it is a matter of surrounding with a frame a portion of one's cone of vision,…
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They were ... pure and unadulterated photographs, and sometimes they hinted at the existence of visual truths that had escaped all other systems of detection.
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The central act of photography, the act of choosing and eliminating, forces a concentration on the picture edge - the line that separates in from…
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Trained as a musician, [photographer Ansel] Adams understood the richness of variation that could be unfolded from a simple theme.
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A photographer's best work is, alas, generally done for himself.
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The simplicity of photography lies in the fact that it is very easy to make a picture. The staggering complexity of it lies in the…
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Like an organism, photography was born whole. It is in our progressive discovery of it that its history lies.
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A skillful photographer can photograph anything well.
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The world now contains more photographs than bricks, and they are, astonishingly, all different.
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One of the leading uses of photography by the mass media came to be called photojournalism. From the late 'twenties' to the early 'fifties' what…
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The photographer’s vision convinces us to the degree that the photographer hides his hand.
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The very best pictures adapt themselves to many changes in meaning.
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The goal is not to make something factually impeccable, but seamlessly persuasive.
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