As you enter the world of myth, you have immediately a wonderful freedom. — David Farr Enter Copy Share Image
We turned Cambridge theatre upside down, using odd spaces and devising everything collaboratively. It eventually blew apart, but I'm still proud of… — David Farr Everything Copy Share Image
The character of Robin Hood stands for the deep anger of the dispossessed against the ruling classes. — David Farr Anger Copy Share Image
Perhaps I'm temperamentally driven to see things from the point of view of the attacked rather than the attacker. — David Farr Point of view Copy Share Image
I would say what you have to do as a screenwriter is strip the book back to find the skeleton. When you've… — David Farr Back Copy Share Image
The thriller protagonist is really just us in extremis. He or she is this individual who is placed under enormous pressure, has… — David Farr Pressure Copy Share Image
You can't cast Hittites as Trojans; I'd love to do it, but sadly, there are none available! — David Farr Available Copy Share Image
Comedy is good at analysing and dealing with evil because it doesn't present it as evil but a collection of banalities. — David Farr Collection Copy Share Image
There's nothing more frightening - and exciting - than getting lost in a forest. There is a journey towards the light, and… — David Farr Forest Copy Share Image
I love telling stories. I don't really think in terms of clear 'aims.' — David Farr Clear Copy Share Image
It's a very bleak play, but there is some final sense of redemption. 'Coriolanus' shows mercy, a Christian virtue in an otherwise… — David Farr Mercy Copy Share Image
'Hamlet' is a play of many strange parts, with ghosts and players, politicians and clowns. — David Farr Clowns Copy Share Image
