“I guess the passion I have for cinema is as strong as the one that I have for music. And I've always tried to be a character in the film, not just a composer that throws his music to the film. That's the main element that connects me with directors.”
He sees film scoring as a collaborative art where the composer becomes part of the narrative, not just an external add‑on.
In simple terms: Music and cinema are intertwined; the composer acts as a character.
Creative partnership deepens storytelling.
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Some argue music should remain background, not a narrative voice.
