Time and tragedy have forced her to grow too quickly, at least for my taste, into a young woman who stitches bleeding… — Suzanne Collins Copy Share Image
She’s really gone, then. The little girl with the back of her shirt sticking out like a duck tail, the one who… — Suzanne Collins Copy Share Image
Finnick!" Something between a shriek and a cry of joy. A lovely if somewhat bedraggled young woman--dark tangled hair, sea green eyes--runs… — Suzanne Collins Copy Share Image
A hysterical young woman with flowing brown hair is also called from 4, but she's quickly replaced by a volunteer, an eighty-year-old… — Suzanne Collins Copy Share Image
It's amazing to see things that are suggested in the book fully developed and so brilliantly realized through the artistry of the designers. — Suzanne Collins Copy Share
A furious Peeta hammers Haymitch with the atrocity he could become party to, but I can feel Haymitch watching me. This is the moment,… — Suzanne Collins Copy Share
I don't know how to say it exactly. Only...I want to die as myself. Does that make any sense?' he asks. I shake my… — Suzanne Collins Copy Share
He never lets go of Annie's hand. Not when they walk, not when they eat. I doubt he ever plans to. — Suzanne Collins Copy Share
“I want to interrupt the taping and beg Finnick’s forgiveness for every false thought I’ve ever had about him.” — Suzanne Collins Copy Share
I pound on the glass, screaming my head off. Everyone ignores me except for some Capitol attendant who appears behind me and offers me… — Suzanne Collins Copy Share
Because it doesn't matter anymore, and because I'm so desperately lonely I can't stand it. — Suzanne Collins Copy Share
“¡Es que no quiero que me conozcan! ¡Ya me están quitando el futuro! ¡No pueden llevarse también lo que me importaba en el pasado!” — Suzanne Collins Copy Share
“I act delighted, but I have zero interest in these Capitol people. They are only distractions from the food.” — Suzanne Collins Copy Share
Mostly we just add to the piles of rainbow glass that's been blown off the exteriors of the cany-colored buildings. — Suzanne Collins Copy Share
You're punishing him over and over for things that are out of his control. Now, I'm not saying you shouldn't have a fully loaded… — Suzanne Collins Copy Share
“But the significant difference between Thirteen and the Capitol are the expectations of the populace. Thirteen was used to hardship, wheras in the Capitol,… — Suzanne Collins Copy Share
