If the material is challenging, it forces you to challenge yourself when handling it. — Joel Coen Copy Share Image
You're doing it to make the character as specific as possible, so that it's a specific individual that you're talking about, not… — Joel Coen Copy Share Image
People that have been interested in our work for awhile... those are the last people you want to disappoint. — Joel Coen Copy Share Image
I think when you watch the dailies, the film that you shoot every day, you're very excited by it and very optimistic… — Joel Coen Copy Share Image
The question is: Where would it get you if something that's a little bit ambiguous in the movie is made clear? It… — Joel Coen Copy Share Image
I'd be perfectly happy never to have to answer anything again about how I work with Ethan, or whether we have arguments,… — Joel Coen Copy Share Image
When we do a movie with the studios, they wouldn't be asking us to do it, I don't think, if it was… — Joel Coen Copy Share Image
It's a funny thing because you look at the careers of other filmmakers, and you see them sort of slow down, and… — Joel Coen Copy Share Image
When you do a writing job for a studio, one of the things you want to do is satisfy the expectations of… — Joel Coen Copy Share Image
You love all your characters, even the ridiculous ones. You have to on some level; they're your weird creations in some kind… — Joel Coen Copy Share Image
I guess everything having to do with your background has some influence on how you tell stories but it's hard to parse… — Joel Coen Copy Share Image
I guess there's a certain amount of poking fun at certain characters, but that's because there is something amusing about them or… — Joel Coen Copy Share Image
And when you see it the first time you put the film together, the roughest cut, is when you want to go… — Joel Coen Copy Share Image
Maybe there should be less of a mystique around making movies. I just don't think that there's any real mystery there. — Joel Coen Copy Share
The architecture of a story can be a little bit different if it's a true story. — Joel Coen Copy Share
Usually, I don't want to sit down and listen to the director gas on about his movie. I just can't actually imagine myself sitting… — Joel Coen Copy Share
And when you see it the first time you put the film together, the roughest cut, is when you want to go home and… — Joel Coen Copy Share
Other kinds of movie stars, it's a different thing, they bring their persona to the part and that's what people like to see, and… — Joel Coen Copy Share
When you do a writing job for a studio, one of the things you want to do is satisfy the expectations of your employer.… — Joel Coen Copy Share
I guess everything having to do with your background has some influence on how you tell stories but it's hard to parse how growing… — Joel Coen Copy Share
If the material is challenging, it forces you to challenge yourself when handling it. — Joel Coen Copy Share
The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again,… — Joel Coen Copy Share
You're doing it to make the character as specific as possible, so that it's a specific individual that you're talking about, not that whole… — Joel Coen Copy Share
People that have been interested in our work for awhile... those are the last people you want to disappoint. — Joel Coen Copy Share
These things are hard to pin down. We work on a script a bit, then work on a different one. — Joel Coen Copy Share
It's a funny thing because you look at the careers of other filmmakers, and you see them sort of slow down, and you realize,… — Joel Coen Copy Share
You love all your characters, even the ridiculous ones. You have to on some level; they're your weird creations in some kind of way.… — Joel Coen Copy Share
