For me, music is in the choice of what not to play as much as in what you've chosen to play. — Feist Copy Share Image
You never know what's going to play into what's worthy of getting encapsulated into a song. — Feist Copy Share Image
I've not really spent much time in proper studios. The room itself where you're recording, and how you live while you're there… — Feist Copy Share Image
The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them… — Feist Copy Share Image
I guess I found it useful to realise that everything is true at once, you know? You can pull back and say,… — Feist Copy Share Image
You're an enormous sponge and everything goes in there and you squeeze it out in songs, I guess. And if you're a… — Feist Copy Share Image
I remember doing my mosaics or being in my little hiding place behind the couch snooping. I'd get bored sometimes, of course,… — Feist Copy Share Image
When I was in Beck's world, I felt like the little sister. I'm in the big brother's room with all his friends.… — Feist Copy Share Image
I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was… — Feist Copy Share Image
On the videos for '1234' and 'My Moon My Man' I wanted to make the songs visible. And, really, what way can… — Feist Copy Share Image
Something that I think I figured out slowly was if you're playing a show and there's a chatter or there is, you… — Feist Copy Share Image
When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was… — Feist Copy Share Image
As I get older, the present and the past shift and become the past and the future... A lot of it is… — Feist Copy Share Image
Surreal can be exciting and good, and it can be like living inside an alien landscape, and it can be completely interesting,… — Feist Copy Share Image
When I first played '1234' it was on stage in San Francisco at some kind of, like, sticky-floored club. And it felt… — Feist Copy Share Image
There's no mystery any more. So my instinct is to show very little, because there's much too much information about everyone, everywhere right now.… — Feist Copy Share
I've not really spent much time in proper studios. The room itself where you're recording, and how you live while you're there is what… — Feist Copy Share
Because there's just so much in a day now, I keep writing in much more abstract terms, like I don't try to write about… — Feist Copy Share
Be alone even when there's a million people around, because tomorrow it will be a different million people. — Feist Copy Share
When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was like, 'Counting… — Feist Copy Share
I had a guitar leaning against the wall and I'd squint at it. It was almost like a dog that had been kicked -… — Feist Copy Share
There are certain parts of chords that resolve things and tie a bow, and others that keep things open and unanswered. — Feist Copy Share
With music, I wasn't curious anymore. There was no dialogue. By the time I stopped, I knew it wasn't going to be gone forever,… — Feist Copy Share
No matter who weaves in and out of your life, regardless of the quality of those deep friendships and familyships, I'm the only common… — Feist Copy Share
There's real potency in metal. Metal fans love metal as if it's a nation they would fight for. It's not diluted by pop culture. — Feist Copy Share
I don't think that village idea of actually knowing what you're contributing to the whole exists anymore. — Feist Copy Share
Any kind of anthemic song, for the most part, they're on the positive side of things. It's not hard to identify when a melody… — Feist Copy Share
I didn't really get London until I read Dickens. Then I was charmed to death by it. — Feist Copy Share
