One nice thing about L.A. is that you can work here in privacy, but that also works against you because you can… — Michael C. McMillen Copy Share Image
In a lot of ways, L.A. has always been kind of colonized or marginalized by New York. It still goes on to… — Michael C. McMillen Copy Share Image
I happen to like regionalism, whatever that means. I like the idea of art that somehow specifically reflects some aspect of a… — Michael C. McMillen Copy Share Image
I've always seen L.A. as a giant kind of laboratory for ideas in a caldron for concepts where you can try anything… — Michael C. McMillen Copy Share Image
L.A. has a lot of tackiness to it, but at the same time, in that funny kind of fantasy pretentiousness, it's unpretentious… — Michael C. McMillen Copy Share Image
One big disturbance, I think, between L.A. and New York is that New York is so condensed and together that it's very… — Michael C. McMillen Copy Share Image
L.A. as a geographical entity is very much a mixture of surf, desert, and the mountains, earthquakes and urban sprawl. Within an… — Michael C. McMillen Copy Share Image
I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There… — Michael C. McMillen Copy Share Image
I think good art has good concept behind it. Nothing can always articulate fully the way a Ph.D. candidate can articulate their thesis, because… — Michael C. McMillen Copy Share
I want to create objects that will stimulate the viewer in ways that I am stimulated by these objects. Now that's an ideal situation… — Michael C. McMillen Copy Share
I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or… — Michael C. McMillen Copy Share
I think we all have a tendency to have things. Even, I've noticed, people on the street collect things. So I think there's some… — Michael C. McMillen Copy Share
One nice thing about L.A. is that you can work here in privacy, but that also works against you because you can get forgotten… — Michael C. McMillen Copy Share
The idea of flux, kind of constant change, whether it be our sense of time or geological time or cosmic time. It's always there,… — Michael C. McMillen Copy Share
I always thought that art that is produced somehow has to reflect the zeitgeist or the ambiance and the time and the history in… — Michael C. McMillen Copy Share
In a lot of ways, L.A. has always been kind of colonized or marginalized by New York. It still goes on to this day,… — Michael C. McMillen Copy Share
As a kid, I wanted to be an inventor and realizing that being an artist is like being an inventor because you create problems… — Michael C. McMillen Copy Share
I happen to like regionalism, whatever that means. I like the idea of art that somehow specifically reflects some aspect of a community or… — Michael C. McMillen Copy Share
That's what I like about the idea of the aesthetic experience, the idea of both enjoying looking at works of art and how they… — Michael C. McMillen Copy Share
For me, my work is pretty much a lot of my identity. I mean I live to work, basically. With money I'm able to… — Michael C. McMillen Copy Share
I've always seen L.A. as a giant kind of laboratory for ideas in a caldron for concepts where you can try anything you want… — Michael C. McMillen Copy Share
I don't refer to myself as a sculptor, but I use the word "visual artist." I prefer that, because that leaves the medium wide… — Michael C. McMillen Copy Share
L.A. has a lot of tackiness to it, but at the same time, in that funny kind of fantasy pretentiousness, it's unpretentious because it's… — Michael C. McMillen Copy Share
