“At first, he talked about the flowers in the garden behind his country house in Surrey. His voice still had its Midlands accent but was soft now and barely audible. He knew the plants by name and took a few… — Frederick Weisel Copy Share Image
“The thing about hitting bottom is that, in the middle of it, sometimes you don’t know if you’re really hitting bottom or just bouncing… — Frederick Weisel Copy Share Image
“What spares us is memory,” he said. “It’s what makes us worth saving. However low we sink, whatever promise we no longer fulfill, we… — Frederick Weisel Copy Share Image
“Sometimes we do terrible things to the ones we love just to see what harm we can cause.” — Frederick Weisel Copy Share Image
“Anita Kleinman was a slight woman in her seventies. Her hair was thinning and white with a touch of pink, and was swept back… — Frederick Weisel Copy Share Image
“Every American autobiography, someone once said, is about one thing—escape. Look into the frightened heart of an American life, and you’ll find a compulsion… — Frederick Weisel Copy Share Image
“Nico’s hair was combed straight up, stiff with mousse, the tips dyed the color of traffic cones.” — Frederick Weisel Copy Share Image
“If they’re together long enough, every couple has one conversation over and over. This was ours.” — Frederick Weisel Copy Share Image
“No single act is entirely redemptive, but all a fallen man has is the first step back.” — Frederick Weisel Copy Share Image
“Take a seat, Charlie,” he said. “I’ll kill you in a few minutes. It’ll be good for you.” — Frederick Weisel Copy Share Image
“At first, he talked about the flowers in the garden behind his country house in Surrey. His voice still had its Midlands accent but… — Frederick Weisel Copy Share Image
“People are complicated,” she said. “Didn’t they teach you that in biography school?” — Frederick Weisel Copy Share Image
“Aren’t autobiographies born in a question we ask ourselves: how did I get to this point? Don’t we look back over the path and… — Frederick Weisel Copy Share Image
