“Every writer dreams of a perfect language. Every writer dreams of a language that obeys, that comes to heel. For some this language is spare and pure, pared down to reveal essential truths without ornament or obfuscation. For others it… — Helen Marshall Copy Share Image
“This kind of fantasy, in which “something is not quite right”, lends itself very well to Gothic sensibility, with its convoluted use of language and its tormented heroes. And then there is an element of irrationality built into the rational… — Helen Marshall Copy Share Image
“Every writer dreams of a perfect language. Every writer dreams of a language that obeys, that comes to heel. For some this language is… — Helen Marshall Copy Share Image
“I like to think of weird fiction as an unceasing distortion and buckling of ambient space and time; where plot, theme, atmosphere and voice… — Helen Marshall Copy Share Image
“This kind of fantasy, in which “something is not quite right”, lends itself very well to Gothic sensibility, with its convoluted use of language… — Helen Marshall Copy Share Image
“Weird fiction is a strange beast, an eclectic genre (or subgenre). It originated in the late nineteenth and early twentieth century through the works… — Helen Marshall Copy Share Image
“a kind of story interested in using the language of dreams and fragments, vague impressions, snatches of scientific discourse, in order to interrogate the… — Helen Marshall Copy Share Image
