Children know when they are being sold a sanitised version of the world, and I think that's a betrayal of the relationship between author and reader. — Morris Gleitzman Copy Share Image
I think probably you can either write for kids, or you can't. That ability to imaginatively be a child and see the world as a child and feel and think like a child - you either have that ability or… — Morris Gleitzman Copy Share Image
I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't… — Morris Gleitzman Copy Share Image
I like the idea of young readers using my stories as a sort of moral gym, where they can flex and develop their newly… — Morris Gleitzman Copy Share Image
I discovered you can get closer to a character's thoughts and feelings in a book than in a film. — Morris Gleitzman Copy Share Image
At around nine or 10 years of age, young people start to decide for themselves what's moral or not, and that's why I like… — Morris Gleitzman Copy Share Image
When I did finally live in the Dandenongs, the mountain ash forests became an important part of my life. — Morris Gleitzman Copy Share Image
“Potato slices, crispy and fragrant. And toast glistening with what looks like actual creamy butter. And three fried eggs. That’s more eggs than I’ve… — Morris Gleitzman Copy Share Image
“De repente quiero que me clave una de las jeringuillas, para poder caer en un sueño profundo y no despertarme nunca, para no volver… — Morris Gleitzman Copy Share Image
I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we… — Morris Gleitzman Copy Share Image
Stories can bring alive the moral universe in a very vivid, useful, engaging way. — Morris Gleitzman Copy Share Image
“Dear Reader Once and its sequel Then are two parts of the same story, but they were written and published as two separate books.… — Morris Gleitzman Copy Share Image
