Every work of art needs a spine – an underlying theme, a motive for coming into existence. It doesn't have to be apparent to the audience. But you need it at the start of the creative process to guide you… — Twyla Tharp Copy Share Image
“A lot of habitually creative people have preparation rituals linked to the setting in which they choose to start their day. By putting themselves into that environment, they start their creative day. The composer Igor Stravinsky did the same thing every morning when he entered his studio to work: He sat at the piano and played a Bach fugue. Perhaps… — Twyla Tharp Copy Share
I have learned over the years that you should never save for two meetings what you can accomplish in one. — Twyla Tharp Copy Share Image
I always find that the best collaborations are when you work with people that know what they're doing, and you leave them alone to… — Twyla Tharp Copy Share Image
I don't mean this, but I'm going to say it anyway. I don't really think of pop art and serious art as being that… — Twyla Tharp Copy Share Image
The art of these Fifties movies was in sustaining forever the moment before sex. — Twyla Tharp Copy Share Image
This is not a pleasant route for many young people to consider. You have to be either hopelessly passionate, or very stupid. — Twyla Tharp Copy Share Image
I often say that in making dances I can make a world where I think things are done morally, done democratically, done honestly. — Twyla Tharp Copy Share Image
I had received my first establishment grants in response to applications filed the year before. To the pages of baffling forms I had simply… — Twyla Tharp Copy Share Image
I don't think that scheduling is uncreative. I think that structure is required for creativity. — Twyla Tharp Copy Share Image
I have always felt one of the things dance should do - its business being so clearly physical - is challenge the culture's gender… — Twyla Tharp Copy Share Image
There really is nothing I ever had access to that I didn't appreciate. — Twyla Tharp Copy Share Image
