Translated books rarely get reviewed in the press. Books or poems or works of art that don't seem to have a corresponding style or figure or theme, obviously they're hard to digest. — Elliott Colla Copy Share Image
In the Green Zone in Iraq you have your radio, you have your food, you have your own electricity, your own toilets. Everything is… — Elliott Colla Copy Share Image
There are certainly times in history where power associates itself closely with fields that we would call the humanities, like rulers surrounding themselves with… — Elliott Colla Copy Share Image
A high-ranking Syrian official in DC laughed when he heard I was reading Michel Aflaq and writing this book. He said, "Let me tell you something. There are no Baathists, no one believes this stuff, this is stuff you read in school because it's assigned to you. Maybe someone believed it, but no one really believes it." And I thought… — Elliott Colla Copy Share
Academic writing you have to get right. Fiction you have to get plausible. And there's a world of difference. — Elliott Colla Copy Share Image
Noir is where the clarity of moral divisions break down, the black and whites turn into grays. — Elliott Colla Copy Share Image
In translation studies we talk about domestication - translation styles that make something familiar - or estrangement - translation styles that make something radically different. I use a lot of both in my translation, and modernism does both. For instance, if you look at the way James Joyce presents Ulysses, is that domesticating a classic? Think of it as an… — Elliott Colla Copy Share
You always have regime-friendly poets like Muhammad Mahdi al-Jawahiri, whose career basically spans the twentieth century. He's an anti-imperialist, friendly with the Communists, and somehow survives all that and is shuttling between Baghdad and Damascus depending on which way the winds are blowing with the Baathists and their competition. But he's not a regime stooge, he's independent. — Elliott Colla Copy Share
Take Ezra Pound's translations of poetry from Chinese. He doesn't really know Chinese, and the very strange results that he comes up with aren't… — Elliott Colla Copy Share Image
Arabs don't do crime fiction. I read crime fiction and I read Arabic literature, and I wish this was a novel I could have… — Elliott Colla Copy Share Image
Michel Aflaq - is bad poetry wrapped in the guise of utopian politics, or great poetry wrapped in the guise of horrible politics. — Elliott Colla Copy Share Image
Each discipline has the capacity to be interested in politics, and each would ask different questions of what politics is, what constitutes power, how… — Elliott Colla Copy Share Image
The more I've reflected on that and asked Iraqi friends, the more I realize that the corruption in Iraq has nothing to do with ideas - it has to do with the regime and institutional structures and power. There's no core to what Michel Aflaq has to say that results in this. That was a key to looking at Michel… — Elliott Colla Copy Share
