It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean. — Barbara Kruger Copy Share Image
I have frequently said, and I will repeat again, in the manner of any well-meaning seriality, that I'm interested in mixing the ingratiation of… — Barbara Kruger Copy Share
I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed. — Barbara Kruger Copy Share
I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within… — Barbara Kruger Copy Share
Money talks. It makes art. It determines what food we eat, whether we are cured or die, and what shoes we wear. — Barbara Kruger Copy Share
It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social… — Barbara Kruger Copy Share
Direct address has been a consistent tactic in my work, regardless of the medium that I'm working in. — Barbara Kruger Copy Share
Prominence is cool, but when the delusion kicks in it can be a drag. Especially if you choose to surround yourself with friends and… — Barbara Kruger Copy Share
I want people to be drawn into the space of the work. And a lot of people are like me in that they have… — Barbara Kruger Copy Share
I believe that who we are, and consequently the work that we make, whether we're visual artists or writers or journalists or filmmakers, is… — Barbara Kruger Copy Share
I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical,… — Barbara Kruger Copy Share
Do you know why language manifests itself the way it does in my work? It's because I understand short attention spans. — Barbara Kruger Copy Share
