I also wonder why is it that so many of the movies and books that are detective stories are also the most aesthetically interesting? From Hollywood noirs to horror movies like The Shining [1980]. — Christopher Bollen Copy Share Image
Safety, reputation, their lives, their friends, and their world. Writers typically try to avoid that because it's not expedient. — Christopher Bollen Copy Share Image
There's something about fear and aesthetic that go hand in hand. — Christopher Bollen Copy Share Image
You find when you're writing a detective story that you're actually not trying to solve anything. You're trying to stop the reader from solving… — Christopher Bollen Copy Share Image
I'm convinced I was the only kid ever who had a Death on the Nile [1978] movie poster and a Murder on the Orient… — Christopher Bollen Copy Share Image
The death drive is parasitic. It runs off of other drives, leeching off of them. — Christopher Bollen Copy Share Image
It's hard for me to figure out where I want to be. But it's definitely in New York. I feel like New York throws… — Christopher Bollen Copy Share Image
There's also something sexual about watching the nubile girl in terror. But you do take on her fear as your own. — Christopher Bollen Copy Share Image
I've never had a mentor. I've always wanted one. I'm actually really disappointed that nobody took my under their wing. — Christopher Bollen Copy Share Image
The Greeks really believed in history. They believed that the past had consequences and that you might be punished for the sins of your… — Christopher Bollen Copy Share Image
I was never afraid on stage. That's where I was the least afraid. I could just do what I do and I had the… — Christopher Bollen Copy Share Image
When you create a fence, you keep people out, but you also limit your mobility. — Christopher Bollen Copy Share Image