Food tells you everything about the way people live and who they are. — Martin Scorsese Copy Share Image
I don't think there is any difference between fantasy and reality in the way these should be approached in a film. Of… — Martin Scorsese Copy Share Image
We can't keep thinking in a limited way about what cinema is. We still don't know what cinema is. Maybe cinema could… — Martin Scorsese Copy Share Image
“Movies touch our hearts and awaken our vision, and change the way we see things. They take us to other places, they… — Martin Scorsese Copy Share Image
The tone of the picture and the atmosphere was in my head and in my blood in a way once I'd decided… — Martin Scorsese Copy Share Image
And as I've gotten older, I've had more of a tendency to look for people who live by kindness, tolerance, compassion, a… — Martin Scorsese Copy Share Image
You have to remain strong. That's the kind of filmmaker I want to encourage. Orson Welles was the one who said, you… — Martin Scorsese Copy Share Image
There are movies that change the whole way in which films are made, like Klute, where Gordon Willis’s photography on the film… — Martin Scorsese Copy Share Image
Oh, the foghorns... even the foghorns, they're all brass. It's something by Ingrid Marshal called Fog Tropes. It's not a sound effect.… — Martin Scorsese Copy Share Image
I would ask: Given the nature of free-market capitalism - where the rule is to rise to the top at all costs… — Martin Scorsese Copy Share Image
One of the things is that the good intentions of Prohibition, from reading over the years and from becoming obsessed with the… — Martin Scorsese Copy Share Image
Always get to the set or the location early, so that you can be all alone and draw your inspiration for the… — Martin Scorsese Copy Share Image
I do prefer doing more takes. There's something very organic that comes from the first take, but certain things come out. More… — Martin Scorsese Copy Share Image
I'm not videotaping my life, but in a way I am trying to put certain things about myself on canvas. — Martin Scorsese Copy Share Image
I’m not interested in a realistic look, not at all, not ever. Every film should look the way I feel. — Martin Scorsese Copy Share Image
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience… — Martin Scorsese Copy Share Image
There's a way that the force of disappointment can be alchemized into something that will paradoxically renew you. — Martin Scorsese Copy Share Image
The storyboard for me is the way to visualise the entire movie in advance, — Martin Scorsese Copy Share Image
There are movies that change the whole way in which films are made, like Klute, where Gordon Willis’s photography on the film… — Martin Scorsese Copy Share Image
The only way I was able to defend myself was to be able to take punishment. Then I got a lot of… — Martin Scorsese Copy Share Image
I just - I kind of see it that way. I find the higher angles down. I do - look, you can… — Martin Scorsese Copy Share Image
I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever… — Martin Scorsese Copy Share Image
I certainly wasn't able to get it when I was a kid growing up on the Lower East Side; it was very… — Martin Scorsese Copy Share Image
[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the… — Martin Scorsese Copy Share Image
We’re face to face with images all the time in a way that we never have been before... Young people need to… — Martin Scorsese Copy Share Image
People say you should do it this way, someone else suggests that, yes, there's financing, but maybe you should use this actor.… — Martin Scorsese Copy Share Image
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's… — Martin Scorsese Copy Share Image
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it,… — Martin Scorsese Copy Share Image
There was always a part of me that wanted to be an old-time director. But I couldn't do that. I'm not a pro. — Martin Scorsese Copy Share Image
Being independent... is being innovative out of inspiration as well as necessity. — Martin Scorsese Copy Share Image
We can't keep thinking in a limited way about what cinema is. We still don't know what cinema is. Maybe cinema could only really… — Martin Scorsese Copy Share Image
Rock & roll seemed to just come to us, on the radio and in the record stores. It became our music. . . But… — Martin Scorsese Copy Share Image
Working with HBO was an opportunity to experience creative freedom and 'long-form development' that filmmakers didn't have a chance to do before the emergence… — Martin Scorsese Copy Share Image
Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience. — Martin Scorsese Copy Share Image
I've been extremely lucky to work with Elmer Bernstein, Howard Shore over the years, but I've always imagined films with my own scores, because… — Martin Scorsese Copy Share Image
People want to classify and say, 'OK, this is a gangster film.' 'This is a Western.' 'This is a... ' You know? It's easy… — Martin Scorsese Copy Share Image
![“[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole…” quote by Martin Scorsese](https://sms4smile.com/quotes/img-quotes/c9e/martin-scorsese-1663_beauty_david-lean-s-images-stay-with-me-forever_2541078.jpg)
