speaking with, uh, about the vocal choreography, one of the first groups that I worked with was a group called the Cadillacs,… — Cholly Atkins Copy Share Image
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not… — Cholly Atkins Copy Share Image
So it would be a happy marriage between the movement and the vocal and uh, this is the thing that you give… — Cholly Atkins Copy Share Image
speaking with, uh, about the vocal choreography, one of the first groups that I worked with was a group called the Cadillacs, which was… — Cholly Atkins Copy Share Image
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But… — Cholly Atkins Copy Share Image
You had to give, uh, a lot of consideration to the fact that, uh, the artist had to come back into the mike area… — Cholly Atkins Copy Share Image
Well, the difference in working with the Supremes and the other girl groups like Martha and the Vandellas, and the Marvelettes, you let the… — Cholly Atkins Copy Share Image
Well, the most important thing in choreographing for a specific tune is to get the story line and try to make your movements, rather… — Cholly Atkins Copy Share Image
So it would be a happy marriage between the movement and the vocal and uh, this is the thing that you give a lot… — Cholly Atkins Copy Share Image
There's a lot that goes into training, singers to eventually become performers. There's, projection, uh, which in many cases the artist was never concerned… — Cholly Atkins Copy Share Image
